改變輪廓的彩妝教學分享(毛戈平) - 修容
By Jack
at 2020-11-02T23:34
at 2020-11-02T23:34
Table of Contents
https://youtu.be/-wkZPz_nqCA
這麼多年了實在也看了很多很多教學影片,
早期也很受日本影響,後來更喜歡歐美的彰顯個性,
現在則是想更接觸如何把輪廓加強或改善。
前不久看到毛戈平的教學,其實一開始完全不知道這人是誰(不怎麼關心中國那邊的彩妝發展,影視上也比較沒有關注劇情和演員以外的領域),看了幾個他的教學是真的覺得收穫非常多!
一般來說我看到手法很收斂(下手清淡)的,常覺得說了一口好技巧,可是妝容上根本看不出來,
毛戈平的理論和手法都是我覺得獲益良多的。
這種妝感應該是適合上鏡頭又不適合妝感很強烈明顯的場合,例如一些正式的上臺、演說,也許簡報或頒獎等場合,而畫這樣去參加趴體就顯得過於內斂、不有趣。
我自己覺得粉感確實還是重了些,也比較陰柔,想畫出陽剛之氣也許就不適合毛戈平的方式。
特別欣賞他的修容和微調輪廓的技巧,眉毛也是厲害只是容易有匠氣(甚是可惜),其他眼睛嘴唇就算是十分清淡了,未必要參考他的畫法。
--
這麼多年了實在也看了很多很多教學影片,
早期也很受日本影響,後來更喜歡歐美的彰顯個性,
現在則是想更接觸如何把輪廓加強或改善。
前不久看到毛戈平的教學,其實一開始完全不知道這人是誰(不怎麼關心中國那邊的彩妝發展,影視上也比較沒有關注劇情和演員以外的領域),看了幾個他的教學是真的覺得收穫非常多!
一般來說我看到手法很收斂(下手清淡)的,常覺得說了一口好技巧,可是妝容上根本看不出來,
毛戈平的理論和手法都是我覺得獲益良多的。
這種妝感應該是適合上鏡頭又不適合妝感很強烈明顯的場合,例如一些正式的上臺、演說,也許簡報或頒獎等場合,而畫這樣去參加趴體就顯得過於內斂、不有趣。
我自己覺得粉感確實還是重了些,也比較陰柔,想畫出陽剛之氣也許就不適合毛戈平的方式。
特別欣賞他的修容和微調輪廓的技巧,眉毛也是厲害只是容易有匠氣(甚是可惜),其他眼睛嘴唇就算是十分清淡了,未必要參考他的畫法。
--
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